One of the greatest revivals of all time began at Azusa Street in Los Angeles in 1906. The wretched former stable burned so brightly with the glory of God that for a time it was called “the second most famous address in the world.” God can do it again, and will, if we want it enough.

Every revival in history seems to be the result of a few people becoming so hungry for God that they wanted Him more than oxygen. Those who have such hunger will not be denied. It’s time to seek a revival that becomes the most famous address in the world. It’s time to seek a move of God that won’t quit moving.

I’ve seen in visions and dreams the destruction that is destined, especially on our West Coast. This has caused some to say that I have a hatred for our West Coast, which is not true, but rather the opposite. I really can’t help what I dream, and though a psycho analyst might say it is the result of deep feelings, I know these are prophetic dreams. They never leave me pleased, but rather I’m grieved enough to take all of the heat for sharing them with the hope that people will listen, repent, and they will not have to come true.

Martha Munizzi on ‘Because of Who You Are’

To have a song that’s had that kind of life and longevity is incredible. When I wrote it my kids were young and everyone was getting ready for bed, and I just had a moment to reflect and watch my kids play. Suddenly I started singing the chorus part: “Because of who You are.” I kept it to myself and would sing it around the house, but then I thought, “Because of who You are, I give You glory, I give You praise” ... but who is the “You”? I started looking up the names of God: You are my Jehovah Jireh, my provider—all of the different names for God.

I’ve found that songs about God to God are the songs that people gravitate to; they’re the songs that literally change the worship time because it’s suddenly not about me, it’s about Him and it’s directed to Him. It’s rallying all of us to sing of His greatness. Those are just the best songs, but they’re not easy to write, and when I’m writing I have to remember that.

Don Potter: Talking to God in Worship

Don Potter had heard the admonition to “seek God’s face” before, yet like many, it left him feeling perplexed. One day while seeking the Lord in the cabin where he was staying, he looked out an upstairs window. “The sky was clear and blue ... and just then I cried out, ‘Lord, I don’t know how to seek Your face—show me Your face!’ When I looked up there was a cloud right outside the same window ... perfectly shaped like a human eye and looking right at me. I stared for a moment and then fell on my face. When I got up, I started writing this song [called ‘Show Me Your Face’].”

Potter waited a year before he sang the song in public; that’s how intimate the experience felt and how concerned he was about “offending my King.” However, that sort of Spirit-filled experience isn’t uncommon for Potter, a musician and producer who, in addition to leading worship at churches around the country, also works with country stars such as Wynonna Judd.

“(As I’m leading worship) I try to hear the heart of people,” Potter says. “I then try and sing that to God as I believe I’m hearing it. After a bit, God will sometimes want to say something back, and I will try my best to repeat the words I hear. Praise-leading is really not leading at all, but offering yourself as a conduit for God to have a conversation with [people].”

Israel Houghton: A ‘Friend of God ‘

During an annual retreat with his worship team, Israel Houghton stumbled upon—or was given—one of his best-known worship songs. 

“This guy was walking us through a lesson,” Houghton recalls, “and he handed out a sheet with all these promises of God: ‘Nothing will separate us from the love of God,’ ‘We are more than conquerors.’ And then three-quarters down the page it says, ‘I am a friend of God.’ He says, ‘Everyone, circle one promise that stands out to you.’ I circled the phrase, ‘Friend of God.’ When asked why I chose it, I just started crying.”

Joel Augé: When Facebook, Family & Worship Merge

Joel Augé is a busy guy. His website features tweets about innovation and hockey, book recommendations, photographs of his daughter and—seemingly as an afterthought—a small picture of a CD, suggesting he makes music. Yet Augé, CEO of a Canadian gaming company called HitGrab (the developer of MouseHunt, one of Facebook’s most popular games), doesn’t find his roles as worship leader, family man and “company vision guy” as all that different. 

“Worship is an act of responding to what God has already done for us. It’s no different at work. I feel I’m constantly responding to how God is moving our business forward,” Augé says. “My act of worship at work is being a good steward of this opportunity.” 

Raised Catholic, Augé once thought of becoming a priest, but that was before puberty and girls. After some wild times, which included dropping out of high school and moving (alone) to Newfoundland, Canada, Augé had a born-again experience and started writing Christian songs. Today he takes something Paul Baloche, his friend and mentor, teaches to heart: be ready for inspiration.  

And just because it seems as if he has it all under control doesn’t mean he does. “My song ‘Promises’ … was [written] before our daughter was born,” Augé recalls. “I had no idea how to be a dad. I was afraid—terrified actually. It was then that I heard the Holy Spirit calm me down with these words, ‘I will never leave or forsake you; you belong to Me.’”

Paul Wilbur: Persistent Messianic Worship

It’s difficult to stop Paul Wilbur once he puts his mind to something. When he became a Christian—a shocking conversion given his Jewish background and family’s lack of interest in religion—his brother stopped talking to him. 

Wilbur’s response after years of trying to re-establish their relationship? He bought the house next door.

Today the two ride motorcycles together. 

Rebecca St. James on ‘Song of Love’

“Song of Love” has been used in a lot of churches for corporate worship. The thing that was most powerful for me was hearing it for the very first time in my own home church in Franklin, Tenn., where our praise and worship team did the song often. To hear it being sung by the congregation of familiar faces around me was a very beautiful and memorable moment for me as a writer.

One of the most powerful things that can happen in ministry is hearing other people using your songs to worship God. To know that a song has been birthed from my own personal relationship in encountering God, and that now other people are encountering Him too through the same words and music I’ve written, is a very profound experience to me.

I’m a real nature person; I love being outdoors and seeing God’s creativity all around me. That really draws my heart instantly toward worship. 

That sense of God in the vastness of His great universe of creation that we see all around us was really the inspiration for this song and what it expresses. The lyric line, “The heavens declare You are God” is a very real biblical truth that is ever-present in my mind.

Matt Maher on ‘Christ Has Risen’

“Christ Has Risen” was inspired by a third-century sermon by John Chrysostom. The concept is very simple: God used death to destroy death. He didn’t even have to lift a finger. He literally tricked death into destroying itself; Jesus used the process of death to completely eradicate it. So now it just becomes a process of transformation, and death is a window or a doorway. 

It became this chorus: “Christ has risen from the dead, trampling over death by death.” I wrote it and then Mia Fieldes from Hillsong helped finish it. 

I love to read works by theologians. Saint Augustine, John Chrysostom, Henri Nouwen and C.S. Lewis are some of my favorites. At the time I wrote this song, it was my goal that the record would have a theme, that it would be a record someone could listen to from start to finish and have been taken on a journey—the journey of transformation because of what Christ has done for us. 

The reality is that the conception, birth, life, death and resurrection of Christ is a journey that, if we allow it, takes place in our hearts every year, every day and, if we let it, every moment.

Paul Baloche on ‘Open the Eyes of My Heart’

From Africa to Azerbaijan, that song has somehow gotten into people’s hearts and languages. Just that simple prayer: “Open the eyes of my heart.” 

It was one of those phrases that a pastor friend of mine would pray before he would preach, and ... I would take that phrase and just sing it over and over again. I thought, “Man, this is something we need to sing [as a congregation]. We should get another section to this.” 

I looked in the Word and saw, “high and lifted up.” [The other phrase] is from Ephesians chapter 1. And then the song just came together naturally.

People ask me, “Do you ever get tired of singing it?’ And honestly I don’t. It’s like, “Do you ever get tired of praying the Lord’s Prayer?” Repetition isn’t a bad thing.

Songwriting has actually been a helpful exercise for my spiritual life because I’m able to prayerfully construct a musical prayer that others can join in with me. You take a profound truth that you hear on a Sunday morning and you just explore that [in a song]. The Bible says, “Pray without ceasing,” and to me, songwriting has always been a way to carry that out.

Leonard Jones: The Cloud That Changed My Life

Leonard Jones, a worship leader for MorningStar Ministries, will never forget what happened on the final day of a worship conference in 1996. After nine hours of nonstop worship, he started playing a version of the song “I Want to Hold Your Hand” by the Beatles. 

“The praise grew to a supernatural level because we were all physically worn out,” recalls Jones, who became a Christian in 1970 during the Jesus People movement. “All at once, a glory cloud appeared in the middle of the stage and stayed for like two minutes, and then rose up all at once and disappeared. It greatly impacted my life . The result was four CDs that changed the direction of worship in the church.”

Jones continues to play marathon praise sessions, including events where people worship for 50 straight hours. “I’ll be doing a lot more of those this year,” he says.

Misty Edwards: Writing With the Holy Spirit

As a leader at the International House of Prayer, Misty Edwards is charged with staffing and encouraging those involved with the 24-7 prayer room. “Keeping it going ... is a lot of work,” she says. “It’s the primary place I pour out my energy.”

But despite the demands, Edwards  is  able to write songs and lead worship because of the Holy Spirit, whom she calls “my closest friend.” 

“Worship-leading and songwriting with Him is exhilarating,” she says. “When we pray and sing the Scripture, He actually teaches us—often through our own lips.”

Brian Doerksen: Close-Up

Moment you knew you were called to be a worship leader: I was a teenager and my dad took a group of us to a Petra concert. Toward the end of their set, they did some songs that were ... more about drawing us into the presence of God. I was touched by God and wanted more!

Hardest thing about music ministry: Doing your best in a way that’s deep, transparent and vulnerable—and it being dismissed. 

Best part about your life: Getting a hug from my 11-year-old son, Isaiah [who has Fragile X Syndrome and doesn’t speak]. He knows life is about giving and receiving love!

Why it’s better to live in Canada: Our politics are more peaceful, and we are a bridge culture between Europe and the U.S., so we get the best of both!

Worship is ... Surrender. Sometimes we forget that’s what the word means ... and don’t realize the most profound expression of worship may be the times when we are willing not to play or sing.

Leeland Mooring: Worship in a Lincoln Town Car

Leeland Mooring, frontman for the band Leeland, is only 22, but he’s already preparing for the day when he no longer performs before big crowds and receives the attention that follows. Maybe that’s because his second home was once his family’s Lincoln Town Car. His parents had a band,  Majestic Praise, and traveled with two evangelists, conducting revivals around the country. 

“We did that for 2-1/2 years. I was 11, my brother was 13, and my sister was 9,” Mooring says. “We weren’t sure whether we’d be able to pay the bills, and it was then as kids that we began to see the sufficiency of God, the power of God.”

Mooring’s parents eventually started a church in Baytown, Texas, with Leeland as the unofficial youth-group worship leader. These days his band has the ability to make a leap into mainstream pop music, but Mooring says of the group: “Ultimately (praise and worship) is what comes out of us.” And as for all the attention? He could live without it. “If all this was taken away, I could go back to Baytown and continue to pursue God’s purpose in my life.”

Chris Quilala: The Night That Changed Me

As a teenager, Chris Quilala asked God for one thing while attending church camp: freedom in worship. “That night, during the worship service, I lifted my hands for the first time. At that moment I felt His presence so strong,” Quilala says. “It was such an intense experience in which I felt the love, peace and fear of God all at the same time. From that moment on I knew that God was such a huge, loving and real God.”

Today, as a worship leader with Jesus Culture, Quilala helps people experience the same freedom. “My prayer over the past few years had simply been, ‘God, more than anything, I just want to know You.’ For me, worship is [an] intimate opportunity to express the love and burning passion that’s in my heart.”

Lincoln Brewster: Rockin’ a Baptist Hymnal

Never the churchgoing type, Lincoln Brewster grew up in Alaska and California surrounded by domestic violence and drug abuse. His stepfather was a gruff fisherman now known to millions as a boat captain on the reality TV series, Deadliest Catch.

“The fact that I’m married with kids and a worship leader at a church? That’s the miracle story,” says Brewster, 39. Even more unbelievable for Brewster—who, at 19, was former Journey frontman Steve Perry’s lead guitarist and had a mainstream record contract—is that one of his songs was recently published in a Baptist hymnal. “If you had my background, you would’ve been voted least likely to be a worship leader. So to have a song in a Baptist hymnal? It’s God having a sense of humor.”

“Leading worship is not what I thought I’d be doing, and it’s not what I wanted to do,” says Brewster, a staple on Christian radio and a worship pastor at a church near Sacramento, Calif. “But when God got a hold of my heart, I realized that this is what I was born to do.”

Kari Jobe: Changing the Atmosphere

Kari Jobe doesn’t just have a soft speaking voice and gentle demeanor. The 29-year-old worship leader is also blessed with the singing voice of an angel. And it’s the combination of these qualities that often allows her to help people lower their guard, release their burdens and truly worship God.

“When David played before Saul it caused the tormenting spirits to leave. I’ve always loved that,” Jobe says. “When you ask the Lord to come, He does come and it changes the atmosphere. That’s how it was for me. That’s what worship is for me.”

Not that Jobe is any different from the rest of us. She finds it difficult at times to fully lay down her burdens before the Lord, and sometimes those experiences become songs—as in the case of “You Are For Me,” which she wrote while in an anxious “season of waiting.”

“I felt like I could see some things that God had promised through a chain-link fence, but I couldn’t get to them yet. God was teaching me that His timing is perfect,” Jobe recalls before quoting Psalm 27:14: “‘Wait on the Lord; be of good courage, and He shall strengthen your heart.’”